Pane e cioccolata (Bread and Chocolate)
Dir. Franco Brusati, 1973

Synopsis:

Nino Manfredi gives a wonderfully comic and sensitive performance as Nino, an Italian working as a waiter in Switzerland. Absent three years from his wife and children--for whom he is theoretically raising money to join him in Swiss prosperity--Nino is a little like David Bowie's dispirited alien in The Man Who Fell to Earth, an outsider too reinvented to return to his roots. Lonely, earthy, and clumsy among the polished locals, Nino has a series of Chaplinesque disasters that ultimately cost him his work permit and resident status. Instead of leaving the country, however, he sneaks back in and stays with a reclusive, beautiful woman (Anna Karina) with something of her own to hide. The adventures don't end there: like a modern Candide, Nino moves from one situation to the next, clinging to his optimism but also a strong suspicion he can never return home. Director Franco Brusati (Forget Venice) has made a rare comedy here that is both light and tough at the same time, with a hero whose clownish trappings don't so much soften his anxieties as make him more sympathetic for suffering them. [Source: www.amazon.com)

Synopsis:

A Spanish family's seaside vacation becomes a tense, seriocomic exploration into xenophobia when they stumble across an illegal African immigrant stranded upon the beach after an accident destroyed his raft and left his traveling companion dead. When patriarch Antonio, a somewhat dim-witted taxi driver, sees the miserable Ombasi huddled around a campfire, he is immediately suspicious and frightened for his family. Unfortunately, they lose their car keys and have no choice but to remain with the mysterious foreigner, who speaks no Spanish. At first, the film takes a humorous look at the family's struggle to communicate with the stranger, but then three racist skinheads arrive and the story takes a much darker turn. ~ Sandra Brennan, All Movie Guide [Source: www.nytimes.com]

Synopsis:

The plot focuses on two brothers embroiled in the 1994 conflict between the Hutu majority (who had ruled Rwanda since 1959) and the Tutsi minority who had received favored treatment when the country was ruled by Belgium. The protagonists (both Hutus) are reluctant soldier Augustin Muganza (Idris Elba), married to a Tutsi and father to three, and his brother Honoré (Oris Erhuero), a popular public figure espousing Hutu propaganda from a powerful pulpit: Radio RTLM in Rwanda.

The drama is set in two periods, which unfold concurrently: In April 1994, after the Hutu Army begins a systematic slaughter of Tutsis and more moderate Hutus, Augustin and a fellow Army officer named Xavier, defying their leadership, attempt to get their wives and children to safety. Separated from his wife Jeanne and their two sons (whom he entrusts to the care of his reluctant brother), Augustin gets caught in a desperate struggle to survive. Barely escaping the purge, he's haunted by questions about what happened to his wife, sons and daughter (who was a student at a local boarding school). In 2004, looking for closure and hoping to start a new life with his girlfriend Martine (who taught at his daughter's school), Augustin visits the United Nations Tribunal in Arusha, where Honoré awaits trial for the incendiary role he and other journalists played in the genocide. In the end, through an emotional meeting with Honoré, Augustin learns the details of his family's fate, giving him closure and, perhaps, hope for happiness in the future.

Synopsis:

Traffic weaves three separate tales, each of which explores a different facet of the drug world and those who inhabit it. Michael Douglas is Robert Wakefield, an Ohio Supreme Court judge who has just been appointed head of the office of National Drug Control Policy. His selection is made with the accepted notion that he will fail. His thankless and futile job is simply considered a career steppingstone. His task switches from professional to personal when he discovers his wayward teenage daughter is a heroin addict.

Benicio Del Toro plays Javier Rodriguez, a state policeman stationed in Tijuana, the frontline of the US/Mexico drug trafficking highway. Surrounded on all sides by corruption, he tries valiantly to retain his honesty and integrity despite constant intimidation and temptation.

The final element involves a rich society housewife, Helena Ayala (Zeta-Jones), who only discovers her husband is a major drug dealer after he's arrested at their palatial San Diego house. Also involved in this story are Don Cheadle and Luis Guzman who as DEA agents provide the film with much of its humour as they arrest and guard the one man who is prepared to testify against Ayala's husband.

[Excerpted from

http://www.tiscali.co.uk/entertainment/film/reviews/traffic.html]

Maria Full of Grace (María llena eres de Gracia)

Synopsis:
In a small village in Colombia, the pregnant seventeen years old Maria (Catalina Sandino Moreno) supports her family with her salary working in a floriculture. She is fired and with a total lack of perspective of finding a new job, she decides to accept the offer to work as a drug mule, flying to USA with sixty-two pellets of cocaine in her stomach. Once in New York, things do not happen as planned.

 

Mayan Indian peasants, tired of being thought of as nothing more than "brazos fuertes" ("strong arms", i.e., manual laborers) and organizing in an effort to improve their lot in life, are discovered by the Guatemalan army. After the army destroys their village and family, a brother and sister, teenagers who just barely escaped the massacre, decide they must flee to "El Norte" ("the North", i.e., the USA). After receiving clandestine help from friends and humorous advice from a veteran immigrant on strategies for traveling through Mexico, they make their way by truck, bus and other means to Los Angeles, where they try to make a new life as young, uneducated, and illegal immigrants.
 

Synopsis:
Igor and his father, Roger, are making a decent living renting apartments to illegal immigrants and sometimes working them illegally (among other scams). But when the building inspector pays a surprise visit and Amidou falls off a scaffold in his hurry to hide, things start to unravel, particularly when Igor makes a promise to the injured Amidou that ultimately exposes the different values of Igor and Roger, and of Amidou's wife, Assita.